Selected scripts and radio programmes by me

Recordings of the Capital Radio programmes listed are lodged in the National Sound Archive (British Library).

1980           London Can Take It, - 60-minute radio documentary on the London Blitz 1940-41. Writer/producer/presenter.

1981           You Can’t Say That – five-part series about literary censorship worldwide, presented by Melvin Bragg for Capital Radio. Writer/producer.

1982           Tales of a City (‘The Nun of Kilburn’; ‘The Astrologer’s Apprentice’; ‘Mrs Pepys’s Diary’; ‘Midnight Streets’; ‘A Precipice in Time’; ‘Suffragettes’.)  Six 60-minute historical radio plays for Independent Radio. Writer/director.

1983           Enigma – 60-minute radio biography of Edward Elgar, written for one actor and shellac recordings for Independent Radio. Writer/director.

1991           Robert Herrick: A Celebration. Feature for BBC Radio 3. Writer.

1992           Excesses of Youth. Feature for BBC Radio 3 on Hector Berlioz in Italy. Writer/presenter.

1995           Anna’s Way – feature film script for the British Film Institute and Hamburg Film Büro. (Unproduced)

2020         Kafkas - a short film that I wrote with my son Nick, who directed it. The film stars Patsy Ferran and is an adaptation of a story by the American writer Marianne Wiggins.

I wrote, produced and presented numerous additional feature programmes for radio during my 8 years as features producer with the Capital Radio Talks Dept., many of which were broadcast throughout the independent radio network.


Books by me

1987            Mind Over Medicine: Can the Mind Kill or Cure? (Aurum/Pan)

                    Compulsion:  A Psychological Study (with Eleanor Stephens, Boxtree)

1990            Fat Man’s Shadow (novel, Viking/Penguin)

1992            The Gwailo (novel, Viking/Penguin)

1999            Anthony Van Dyck: A Life 1599-1642 (Constable/Ivan R. Dee)

2000            Essential Modern Art (Parragon)

2001           Cold Burial: A True Story of Endurance and Disaster (with Clive Powell-Williams, Viking Penguin/ St Martin's Press)

2001            Saints (Collins Gem)

2004            Stubbs and the Horse (with Malcolm Warner, Yale U.P.)

2005            George Stubbs & the Wide Creation, (Chatto & Windus/Pimlico)

2011            A Dark Anatomy (the first Cragg & Fidelis novel) (Pan-Macmillan, Minotaur Books)

2012            Dark Waters (Cragg & Fidelis no. 2) (Pan-Macmillan)

2015            The Scrivener (Cragg & Fidelis no. 3) (Constable) This was published as The Hidden Man by Minotaur in the USA.

2016            Skin & Bone (Cragg & Fidelis no. 4) (Constable & Minotaur)

2018            Rough Music (Cragg & Fidelis no. 5) (Severn House)

2019            Death and the Chevalier (Cragg & Fidelis no. 6) (Severn House)

2021            Secret Mischief (Cragg & Fidelis no. 7) (Severn House)

2022            Hungry Death (Cragg & Fidelis no. 8) (Severn House)


I served an apprenticeship in crime writing with Lynda La Plante in the 1990s, writing novels from episodes from her TV crime series Trial and Retribution. Lynda is an amazing story-teller and meticulous researcher and I learned a lot of useful stuff from her, for which I will be ever grateful.

I made another foray into this world under a nom de plume Christopher Bird when I was commissioned to write The World of Inspector Morse. I was lucky enough to get to know the kindly, and fiendishly clever, Colin Dexter. His books have probably influenced me more than I realize.



I have written widely on the arts and general subjects for the national, daily and weekly press and the internet. I did a 5-year stint writing weekly books column at The Independent on Sunday and I have since contributed regularly on books and the visual arts to The Financial Times. I am also a contributor on Stubbs and Van Dyck to the online Literary Encyclopaedia  and I have contributed essays to the quarterly journal Slightly Foxed.


Most of my books and a few of my programmes have been reviewed, sometimes (not always) positively. Here is a selection of mostly positive critical quotes  – spot the exception.

Tales of a City: “Blake is always inventive … fresh, colourful, bawdy and convincing” (Paul Ferris, The Observer); “this entertainingly eccentric series”(Jill Neville, The Sunday Times); “the actual writing and studio direction, both Blake’s responsibility, were very good indeed” (David Wade, The Times); “the most important element for its success is the language. People speak as if they mean it, in a form which is modern enough to avoid seeming archaic and yet historic enough not to suggest that language has not changed” (James Bromwich, Times Educational Supplement.)

Anthony Van Dyck: A Life 1599-1641: “An excellent read … genuinely interesting and well-researched… Robin Blake writes with enormous enthusiasm for his subject.” (Antonia Fraser, The Sunday Times); “A remarkably silly book” (Brian Sewell, The Evening Standard); “Blake is truly illuminating when he describes a given place at a given time and looks there for the source of decisions.” (Peter Campbell, LRB); Refreshingly different… it brings the period convincingly to life. (Andrew Wilton, The Observer).

George Stubbs & the Wide Creation: “Robin Blake illuminates the works with brilliant detail about the era” (Christopher Hirst, The Independent); “Stubbs emerges as a real person rather than as simply an opaque reflection of the order and calm projected by his pictures.” (Michael Prodger,  Sunday Telegraph); “Much careful scholarship and sensible speculation” (Matthew Reynolds, TLS); “…this painstaking, scholarly and admirable study…” (Edward Pearce, Glasgow Herald).

Some reviews of Cragg and Fidelis are on the website pages about those books.

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